What happens
when we remove ourselves from 'real time' and situate ourselves within
a narrative time, one constructed entirely through the technological reorganization
of temporal relations?
A time-lapse
videofilm was recorded in a corridor over the course of an afternoon,
capturing glimpses into the daily life transpiring within the Center.
The actions of a 'protagonist', correographed to synchronize with the
rate of the time-lapse recording, form the basis for a narrative sequence
refiguring relations between contemporary notions of 'real time' and the
'narrative time' of classic american cinema. The resultant movement-image
is accompanied by an audio loop sampled from a collection of soundtracks
from Disney films.
The videofilm
was subsequently projected back into the space of the corridor at night,
the miniaturized image appearing within a small fireplace once used for
heating.