the si(gh)te as an elongated swath of open space bounded by two roughly parallel lines: the elevated A-Train tracks linking the site to Manhattan and the boardwalk holding back the expanse of the Atlantic...

literally situated between two extremes: the density of the metropolis and the expanse of the sea...

the ends, not lines but gradations...

there is the sense that this space could continue infinitely: the line of the train and that of the horizon at sea...

the interiority of the site to these extremes is doubled by the presence of its absence: that which has been displaced becomes reconstructed from fragmentary remains by the imagination and desires of a drifting subject...

these fragments, assembled through the body's movement across the site, become the program of the site: a network of potential narratives whose montage becomes a product of the ephemeral interplay between a field of givens, associative desires, and locomotive actions...